Aikido Lifetime Experience in Japan – A Memory


Hiroshi Tada 50th Anniversary in Gessoji Dojo

Hiroshi Tada 50th Anniversary in Gessoji Dojo

Originally published in 2002 by an Irish newspaper, this is a vivid memory of a typical martial arts trip to Japan

“I am just back from Japan. Yes, believe me, a lifetime experience”. This is the answer that 5th Dan Aikido of Organisation of Ireland Head Instructor Simone Chierchini repeated to his many students and friends around the Irish Northwest welcoming him home. Simone rejoined the Aikido Organisation of Ireland activities at the beginning of November (2001 Ndr) following his two weeks instruction trip to the Aikido World Headquarters in Tokyo, Japan. At the beginning of September Simone got an official invitation by the Aikido World Headquarters in Tokyo to take part to the celebrations in occasion of the 70th Anniversary since the establishment of the Aikikai Hombu Dojo. He was to represent Ireland at the celebration and that would also give him the chance to train at the Hombu Dojo for the third time in the last 20 months.

The invitation was cause of huge pride to all Sligo Aikido practitioners. Simone was going to be with the best Aikido people in the world and do his part as a result of his efforts in Sligo and the Northwest. An incredible achievement for him and his students.

Fundraising activities were promptly organised to finance Simone’s participation and thanks to the generosity of sympathisers and sponsors and a greatly successful table quiz held in The Harp Tavern, a convenient sum was raised and jointly with the Sligo Aikikai own resources the trip became a reality.

As said earlier, this was Simone’s third trip to Japan in the last 20 months. Like the previous times he attended intensive training at the Aikido World Headquarters. Each day Simone started his schedule at 6.30 in the morning attending a most interesting class under the instruction of Doshu Moriteru Ueshiba, Aikido World Chief Instructor. Many foreign high ranked practitioners present in Tokyo for the 70th Anniversary celebrations would join the activities every morning alongside local yudansha, to  make training of consistently high quality. As Simone is well known to Doshu Ueshiba since 1982, he always enjoyed special attention and personal advice by Doshu, who asked Simone of the achievements of the Aikido Organisation of Ireland and about Ireland itself.

With Hiroshi Tada Shihan at the 70th Anniversary of Aikikai Foundation

With Hiroshi Tada Shihan at the 70th Anniversary of Aikikai Foundation

The second class of the day at Hombu starts at 8 am and is taken alternatively by top Sensei like Yokota, Endo and Seki to mention a few. They are the cream of the Aikido Instructors in Japan. Particularly Yokota Sensei’s impressive moves and powerful style gained Simone’s respect and attention. Most of the new Aikido material he brought back to the Sligo Aikikai originates from Yokota Sensei.

At lunch time it was time for Simone to travel to Kawasaki City, about one hour away from Tokyo city centre by subway. In Kawasaki Simone attended training with sword fighting Sensei Yakuhiro Sugino 9th Dan. Sugino Sensei is the Head of the Katori Shinto Ryu, an ancient and very respected style of Sword-fighting (ken-jutsu) still in activity since 1450. His Dojo is in traditional style and the atmosphere in it is strict like in the old days. Sugino Sensei is also the head of the Kawasaki Aikikai and holds a 7th Dan in Aikido.

Under Sugino Sensei’s direction Simone practiced quick drawing techniques (iai-jitsu), as well as paired sword-fighting (ken-jitsu), and stick fighting (bo-jitsu). All the techniques he was shown recall their origin in 15th & 16th centuries and can only be taught to the initiates of the Katori Shinto Ryu School. The only Irish section of this school is active in Sligo under Simone Chierchini. Tuition is open to a handful of selected Aikido students of proven maturity and high technical standard.

After getting some rest, Simone would then move on to get further training alternatively in 9th Dan Tada Hiroshi Sensei’s own club, the Gessoji Dojo, a wonderful training space situated inside a Shinto Shrine, or in Ichikawa visiting 6th Dan Jun Nomoto Sensei, or finally training alongside college students at Meiji University.

Tada Sensei is one of the most famous Aikido Sensei in the world. 72 years old, over 60 years in martial arts, a direct pupil of the founder of Aikido, he is a man of charisma and power unusual even in a master 30 years younger. He was particularly fond of seeing Simone in Tokyo, whose parents – both formerly involved in Aikido – he had first met in Rome in October 1964 when Simone was a few days old.

Nomoto Sensei’s dojo instead is a typical town Aikido club, populated by ordinary people and boasting a huge hoard of 120 kids in their uniform. Nomoto Sensei’s manners are extremely friendly yet is Aikido is surprisingly powerful. He loves to train and also to build up with his students a warm atmosphere in the dojo and after it in the izakaya, the Japanese versions of a pub. “Be careful when you come to visit the Nomoto Dojo” he likes to boast. “Practice is fine, it’s after that we become dangerous!” he laughs alluding to the enormous quantities of beer they can make disappear.

In Kawasaki City with Yakuhiro Sugino Sensei

In Kawasaki City with Yakuhiro Sugino Sensei

College students in Meiji University train Aikido in a very hard and army style way. They treated Simone with absolute respect and devotion, carrying his bag, folding his clothes, supplying clean and warm towels, etc. and also organising generous quantities of food, beer and sake after training. Meiji University former member Asai Sensei 7th Dan, now Chief Instructor of Germany Aikikai was present for the occasion and gave a special class enjoyed by all.

The special celebration for the 70th Anniversary of the Aikido Headquarters was held on Sunday 21st October and about 2000 delegates congregated to make the event an absolute success. Simone caught the occasion to invite Jun Nomoto Sensei to teach a week long Aikido seminar in Sligo. Nomoto Sensei thankfully accepted the invitation and hopefully will be the second Japanese top Aikido Sensei to held an instruction course in Sligo next year alongside Fujimoto Sensei 7th Dan. A schedule as rich as one would find in big Aikido locations like London or Paris.

Wherever Simone trained, he was made to feel welcome and he said he found himself at ease in Aikido terms. He brought the name of Sligo and Ireland to Tokyo and shared his love and appreciation of the Irish ways with all his many new Japanese friends.

For more pictures of my  2001 Japan trip check:

SIMONE CHIERCHINI’S VISUAL CURRICULUM (1999-2005)

First published on the web at: 
http://sportales.com/martial-arts/aikido-lifetime-experience-in-japan-a-memory/#ixzz2NV6eQkMb

Residential Gasshuku “Spiritual Teachings of Aikido”


The Founder's Spiritual Teachings

The Founder’s Spiritual Teachings

“Spiritual Teachings of Aikido”

Residential Gasshuku for a Limited Number of Students
Reserved to Yudansha (Max 25)

Teacher: Paolo Corallini Shihan

15 – 16 – 17 February 2013

Tenuta I Ciclamini, Avigliano Umbro, Perugia, Italy

BROCHURE & REGISTRATION FORM

Are you wondering which the philosophical vision of O Sensei was? What is the purpose of Aikido? Why is that the Founder used the three forms of the sacred square, triangle and circle to build and practice his “Divine Techniques”? Why O Sensei indicated the development path of the Aikido student with a pyramid? why many of the movements of Aikido are expressed with the symbol of the Infinite?

We will try to answer these questions and many more.

This Residential Gasshuku – as it has been conceived – revolves around complex topics and requires a level of understanding of Aikido that is not easily obtainable by those who practice only a few years. For this reason, the organizer has chosen to restrict the access to Yudansha only, no matter what Aikido style they engage in and the organization to which they belong, in line with the guiding spirit of Aikido Italia Network. We are also considering the possibility of organizing a similar course at a basic level for Aikido students of Kyu grade.

Organisation: Aikido Italia Network in conjunction with Takemusu Aikido Association Italy

Info & Management: Simone Chierchini 345/3943286
Email: schierchini@gmail.com
Web: www.aikidoitalia.com

Read complete presentation of the course by Paolo Corallini (Versione Italiana / English Version)

 

In a wide horizon of woods, meadows and farms… “Tenuta dei Ciclamini” appears to the visitor as a medieval village surrounded by thousands of acres of land.
“I do not want and would not find the words to promote Tenuta dei Ciclamini, I can only say that it is the place where I have chosen to live” 

(MOGOL)                                              

TENUTA I CICLAMINI is a residential hotel built in the middle of an enchanting landscape dominated by forests, meadows, hills and lakes, located about 12 km south of Todi, in Umbria, Central Italy. The hotel presents medieval architectural forms, has a garden of over a hectare, it is surrounded by fenced meadows where horses graze, and has two small lakes. Beyond start the woods of cyclamen, characterized by fauna and flora that stayed untouched for centuries.
This is the magical place in which we choose to set our course “SPIRITUAL TEACHINGS OF AIKIDO”, knowing that the importance of the matter at hand required as much.
“Tenuta dei Ciclamini” is close to the medieval villages of Toscolano, Santa Restituta and Melezzole (XI Sec), all located at only 2 km from the center. Also nearby at Dunarobba (8 km) you can visit a fossil forest of the Mesozoic era, one of only two left in the world, and the Roman city of Carsole, rich in archaeological remains. Let’s also not to forget the famous cities of Spoleto and Orvieto.
For our Gasshuku, we will use the modern facilities of the estate, which offers a wide range of professional services for conferences and events. The estate also has a wellness center complete with massage rooms, sauna, 2 steam rooms, whirlpool, fitness room with 400 square meters of tatami, indoor heated pool, outdoor pool, jacuzzi swimming pool. The use of these structures is part of the package offered to the participants to our course.
The hotel unfolds in a series of houses and towers that form an ancient village, configured in a campus shape, with a large central garden. Participants in our course will be accommodated in double rooms in five-star, equipped with every comfort and Wi-Fi, telephone, air conditioning, satellite TV, minibar and safe.

GASSHUKU SCHEDULE:

(There may be extra lessons, both practical and theoretical, in line with the wishes of the participants and the time available)

Friday, February 15:
17-18.30 Reception and accommodation in the Hotel
19-20: Lesson 1
20.30: Dinner

Saturday, February 16:
8-9.30 Breakfast
10-11.30: Lesson 2
11.30-12: Questions and Answers. Discussion on the topics of the morning
13: Lunch
17-18.30: Lesson 3
18.30-19: Questions and Answers. Discussion on the topics of the afternoon
20: Dinner

Sunday, February 17:
8-9.30 Breakfast
10-11.30: Lesson 4
11.30-12: Questions and Answers. Discussion on the topics of the morning
13: Lunch
14: Farewell

FEE:
Complete Package: € 360
The price includes 2 days in full board (from dinner on Friday to lunch on Sunday -included), 2 nights in a double room, use of all facilities of the estate, frequency to a minimum of 4 lessons with Paolo Corallini Shihan, any additional extra Aikido activity organised, certificate of participation

BOOKINGS:
The course is reserved to a maximum of 25 Yudansha.
To book your place please send a deposit (non-refundable) of € 50 no later than January 24.
Payment by bank transfer to: Simone Chierchini
IBAN: IT34T0316901600CC0010100938
BIC: INGDITM1
Reason for Payment: “Corallini – Spiritual Teachings Aikido – [Last Name] [Name]“

Send an Email to schierchini@gmail.com with proof of payment and registration form (download).
IMPORTANT: We will take into account the date of the transfer receipt for the allocation of the 25 places available. First come, first served basis.

BROCHURE & REGISTRATION FORM

HOW TO GET TO “TENUTA I CICLAMINI”

From the South:
Highway A1 Rome – Milan, exit Orte, right Terni, Amelia exit, follow the signs to the town of Amelia, then Castel Aquila, and finally Toscolano direction.

From the North:
Motorway A1 Milan – Rome, exit Val di Chiana, direction Perugia. E45 highway Perugia – Terni, exit Montecastrilli – Avigliano Umbro. Follow for Avigliano Umbro and the indications for Toscolano.

Airports: Rome Fiumicino Airport: 100 km, Perugia: 68 km

Introduction to the Residential Course “Spiritual Teachings of Aikido”


February 2013: 1st Residential Course “Spiritual Teachings of Aikido”

February 2013: 1st Residential Course “Spiritual Teachings of Aikido”

As previously announced, Aikido Italia Network is getting ready to offer a new year full of brand new Aikido initiatives. It will all begin with the first residential course ever specifically dedicated to the Spiritual Teachings of Aikido. The course, organized by AIN, has been created  by Paolo Corallini - Takemusu Aikido Association Italy Technical Director – that will also direct it. Paolo is one of the most knowledgeable international teachers on this matter. For more details about this event and to book your place (only 25!), stay tuned on Aikido Italia Network

BROCHURE & REGISTRATION FORM
More Info

Versione Italiana

by PAOLO CORALLINI

The practice of Aikido, regardless of the pedagogy that one follows or the “style” practiced, requires deep and constant application that may lead to obtaining certain technical skills, especially if one has the necessary qualities and enough talent.
Unfortunately, many believe that  in order to be good Aikidoka, it is not necessary a theoretical, spiritual, symbolic, cosmological knowledge of the Art.
This belief is also facilitated by the ideology that is dominant in the world in which we live, a world that increasingly drives human beings towards the more pragmatic, materialistic and utilitarian aspects of living, directed only to the outward appearance of things.
In order to understand how far this is from Aikido we should remember that O Sensei felt an ecstatic amazement at the harmony of the laws of nature and at the same time a humble admiration for this infinite and higher essence, the manifestation of the Divine.
A human being is part of a whole, the universe, and he is a part limited in time and space.
We live in a sort of prison and our task is to get rid of it, widening our compassion in concentric circles to embrace all living creatures and the whole of nature in its infinite beauty.
The attitude of the “initiated” practitioner before the mystery of the universe must be that of the mystic, that is one who – in the silence – was initiated into the mysteries of the Art.
Mysticism is the possibility, for a human being, to gain access to an awareness and an awakening that are beyond the technique, beyond words, beyond rationality, and therefore to work at a metaphysical level.
Aikido is steeped in mysticism and symbols, and it is these that provide access to upper levels of awareness and understanding.
A key feature of mysticism is, as Einstein said, the need for knowledge, the desire to grasp or let themselves be grasped by the mystery of the Universe, and also curiosity, awe and a sense of wonder.
He who wishes to penetrate the secrets and the wonderful potential of Aikido must strive to understand the mystery of the universe, trying to understand its laws through rationality, with assiduous practice, sacrifice, determination and absolute will, and also thanks  to speculation on its symbols, but at the same time must strive to purify his/her subjectivity, trying to get into an intuitive resonance with the laws that govern nature and the universe.
A human being has two ways to live: one outward, the other inward.
With the interior he looks at what is not manifested, with the exterior he sees and approaches what is manifest.
Aikido gives us the tools to integrate and make vibrate in unison these two ways of living.
Aikido can be the gateway between what in the world is already manifest and what is not.
At a very high level, practical techniques become formal, symbolic: a form of ecstasy or the point of contact with what is non-manifest.
Let’s not forget that the Founder spoke of  Inori Budo, indicating by these terms that Aikido is like a prayer in motion.

This course is for those who are not content just to practice Aikido techniques but who aspire to enter the wonderful world of this Art, where the study of spiritual symbolism, esoterism and Spiritual Alchemy become tools and paths that are essential to achieve a higher level of knowledge.
Are you wondering which was the philosophical vision of O Sensei? What is the purpose of Aikido? Why is that the Founder used the three forms of the sacred square, triangle and circle to build and practice his “Divine Techniques”? Why O Sensei indicated the development path of the Aikido student with a pyramid? why many of the movements of Aikido are expressed with the symbol of the Infinite?

We will try to answer these questions and many more.
A path of the martial kind, if lived in a certain way, it is an complex initiation path that definitely goes beyond the mere of deconstruction the Ego for which it was undertaken.

RESIDENTIAL COURSE “SPIRITUAL TEACHINGS OF AIKIDO”
Teacher: Paolo Corallini
Residential Course for a limited number of people only, reserved to Aikido Yudansha, but open to practitioners of any style and organization, in line with the guiding spirit of Aikido Italia Network
When: 15-16-17 February 2013
Where: Tenuta I Ciclamini, Avigliano Umbro (Perugia, Italy)
Who: Max 25 yudansha open to any style and organization
Pre-bookings: Simone Chierchini +39 345/3943286 schierchini@gmail.com

For more info:

http://aikidoitalia.com/2013/01/07/residential-gasshuku-spiritual-teachings-of-aikido/ 

BROCHURE & REGISTRATION FORM

Copyright Paolo N. Corallini© 2012

Happy Birthday Saito Sata Sama!


Saito family portrait: Morihiro, Sata, Hitohiro

September 4th is Saito Sata sama’s 85th birthday. It is customary for many cultures to forget about the work of the women, and of the women behind great men. Very often the behavior is like as if they were ashamed of women

Okusama served O’Sensei more than anyone. She also served his wife, her husband, took care of her family and served all the thousands of uchideshi and guests that passed through Iwama from O’Sensei’s time to Morihiro Saito Sensei’s.

ABOUT HER RELATIONSHIP WITH O’SENSEI:
“In the old days the groom would come to the bride’s house and take her back to his home, where the wedding would take place. Our wedding was held before the Shinto altar (shinzen) in O-Sensei’s old house, so from that day I entered directly into the Ueshiba family. People like Koichi Tohei, Kisshomaru Ueshiba, and other prominent members of the Aikikai attended the ceremony.” (O’Sensei old house was to the right of Aikijinja).

ABOUT LIVING WITH O’SENSEI:
“We were married so soon after the war that food rationing was still in effect. O-Sensei had his own land, so the household didn’t receive any rice rations; we had to grow enough to feed ourselves. If we didn’t work the fields we’d have nothing to eat.”

ABOUT O’SENSEI TALKING TO HER:
“Sata, I’ve told all the deshi to respect Saito. I told them he’s so respectable they’d benefit even by drinking tea made from the dirt under his fingernail.”

ABOUT HOW HER LIFE WAS SO DIFFICULT:
“Because my husband was learning something he really liked from O-Sensei, I felt I should give him all the support and cooperation I could; otherwise I felt I didn’t really have a place there. That’s why I devoted myself to serving O-Sensei and his wife to the best of my ability. On the other hand, I also had four children of my own to raise, and there was nobody around to look after them for me. Sometimes I took them with me when I was helping O-Sensei and his wife. I was always running everywhere trying to attend to everything and get things done. I was so busy! O-Sensei could be very whimsical, so things to do were always popping up unexpectedly.
….
Nowadays for the Taisai we just order boxed lunches from a place in Tokyo, but that’s a relatively new thing. We used to make them all by hand. We had to make 300 lunch boxes of sekihan (rice boiled with red beans) by 10:00 a.m., so I had the helpers come at 4:00 a.m., and I was up the whole night making preparations.
….
I spent most of my time working the fields, pulling weeds around the house, and serving O-Sensei and his wife. Since getting married hardly a day has gone by when there haven’t been people going in and out. The only time I’ve ever had to myself has been after 11:00 at night. I don’t think I’ve ever sat down to all three meals in a day with my family. I can’t imagine how difficult this has been on my children.
….
To help make ends meet, after my eldest son was born I took a side-job shelling chestnuts, which I did when I got home at night. Sometimes I could shell as many as 20 kilograms of them by myself. My husband only came home from work every other day. Unlike him, I couldn’t unwind by having a drink. Occasionally, I just couldn’t help myself and would complain to him and make him upset. In my position I had very few options for relaxing or taking a rest from it all.”

It is often said that these below are some of the qualities of samurai:
Gi – Rectitude
Yū – Courage
Jin – Benevolence
Rei – Respect
Shin- Honesty
Meiyo – Honor
Chū – Loyalty
Kō – Filial piety
Chi – Wisdom
Tei – Care for the aged

Well, Okusama has all of these! Indeed! Despite her suffering and long life work, Okusama maintained a pure frame of mind. In 2001, at the farewell of uchideshi Ian Brand from Holland, okusama brushed several calligraphies for him and for the uchideshi. One of them said: “Deeply thankful for Aikido”. After a life of hardship, it is indeed fantastic that such a person could right this.

We now have the project of building a statue for the great Morihiro Saito Shihan. In reality, there should be two statues, one of Morihiro Saito Shihan and one of Sata Saito Sama. It was their work together that preserved the Founder’s Aikido! It was their work together that attracted thousands of people to Iwama.

Sata Saito, wife of Morihiro Saito Shihan, is indeed a LIVING TREASURE OF AIKIDO!

Source: 
https://www.facebook.com/portugal.aikishurendojo
Published with the permission of Portugal Aikishuren Dojo

Children and Aikido


Children Aikido class in Sligo (IRL), 2008

Today, while two of my students that started their Aikido practice at age 8 have now become – after 10 years of efforts – Shodan, I would like to propose a revisited version of my earlier article Children and Aikido.

di NINO DELLISANTI

Versione Italiana

Versione Italiana

My first encounter with children on a tatami during an Aikido class was about 25 years ago. I offered as a substitute for the teacher in charge for children classes, in the same dojo where I used to practice. He couldn’t held the children classes anymore because of his job commitments. Of course I gladly welcomed the opportunity I was offered.
The idea of “experimenting” being a teacher was part of an ideal goal, a common idea collectively shared, which can be found in many practicioners of the art.
Incidentally, we can say that many things have changed since then…
To go back to that time, it was in this way that I found myself with 4 young aikidoists and with a number of matters I never imagined before.
To make things clear, as a starting point it must be said and underlined that I was a young practitioner, also I can evenly state that I was in a condition in which  the state of physical ”fury” was the prevailing one in me. The idea of “Aikido” practice prevailing in me, but also in that period of time, was almost entirely based on a tangible physicality thanks to which everything could and should made to work.
Obviously there were deep aspects of the practice, the so called “philosophical ones”, but mainly it was all about listening to the body in its workings and finding gratification and satisfaction in it. In short, I believe that there was not much difference with any young practitioner with a kind of strong physicality that is looking for a way to manifest himself today. I now can say that it is a fact implied in the practitioner age, it is a specific idea of the practice.
Suddenly, finding myself teaching children, I had to face an all together different dimension of the practice. I immediately realized that I wasn’t ready and honestly speaking , not to find a good excuse, times weren’t ripe as well. Back then, children in Aikido practice were seen as aliens. There were several reason people gave against Aikido for children: arm-lock techniques are dangerous!!! Children can’t grasp the “philosophical” aspects of the art!! Aikido is technically too complex for children to reproduce the movements! And even more commonplaces.

Lorena Chierchini, 4 years old, enjoys playing Buki-Waza

In spite of all that and of the fact that I wasn’t ready yet, I was seduced by the experience, for me so difficult. I remember, for example, the pride I felt anytime I found educational responses that produced positive results. That sense of satisfaction brought me once to show the “progress of my children” to the person who was my Aikido teacher at that time. I still remember in a remarkable way that at the very end of the demonstration I went over to him, expecting an opinion, with the ultimate idea that I was going to be gratified from that opinion. Imagine if I was prepared to the fact that the opinion could be condensed in the sentence “They are just children”. That used to be a common idea in the Aikido community and my teacher’s idea could have not been different and, in the end, mine too. What had happened though, the sense of frustration I got from it, didn’t prevent me from realizing that in that practice there was the expression of something I couldn’t define, but that I was not prepared to drop.
At that stage there was a pause and that brings me to 1992. In fact I had to leave that course too, to use that time, not “free” anymore, for  my job, but in 1992 with the help of a few sympatizers I founded our small Association with our own dojo, and we all decided to have a course for children.
We taught that it was  important for its educational value, for the absence of contests,  in contrast with other disciplines that ask you to win .
In this case too, from the choise of these motivations, however true, it’s possible to deduce that there wasn’t much trust in the fact that Aikido practice could actually be accessed by children.
Of that time I remember the efforts, mine and of the others that with me were running the classes for children, to find coherence between adults and children practice, the struggle to teach ourselves starting from zero.
Back then we knew about Judo and karate for children. Aikido for children?
It was spoken about, but little was known about it, information wasn’t circulating properly. In the meanwhile, attention brought us to notice how discoveries were continously possible, often having children as builders of those discoveries.
Passion, which becomes focus in the practice, was always the first motor, making us experience a brand new world, made of potentials that can be organised. In brief, we were learning through playing, because there is no doubt that for a child playing is life and the way to learn. Also we discovered what it means the trust for the teacher, and not for his skills, but for his ability to pass on knowledge. What impressed, and still impresses my perception, was the nature of an experience lived in a complete way, that any activity carried out by childrens discloses .

Aiki Kids! The power of the smiling Ki

This is the meaning of Budo, of martial way, long before rationality can disveal it, it is already there, in its substance.
It was a revelation . We were the only ones missing; we did became conscious that wasn’t Aikido to be too hard for children to learn, instead we were not in possession of the proper didactical tools capable of establishing a relationship at a technical level.
It is at this stage that happened a decisive meeting. As the encounter with Cristian Tissier was decisive for my Aikido, the one with Jean Micheal Merit was decisive for my Aikido for children. The first time I had the chance to see him at work and to listen to him, many things became more clear: everything can be teached to young aikidoists, it’s matter of being able to observe what they can express if they are free to do so, to come to an understanding of which elements they can reproduce, without resorting to simplifing interpretations and with a constant attention aimed at respecting and preserving a young body that is growing up. Nothing is impossible, it’s all matter of having the right method and a step by step process, along with a a serious coherency in relation to the physical goals, for a development in conformity with age that doesn’t underestimate (as often adults do when they have to deal with children) the natural potential of the individual.
The second consideration derived from the encounter with J.M. Merit is , if possible, even more powerful: the educational role it’s actually one of  ”restitution”. The society in which we live (Aikido included), despite all the defects that we can recognize, gives a lots to each of us. Teaching children will give us the chance to return something back to society and to become world citizens.

Traduzione : Giuseppe Martino 03/11/2011

Copyright Nino Dellisanti © 2011
Per le norme relative alla riproduzione consultare

http://simonechierchini.wordpress.com/copyright/

Joys and Sorrows of Asobi in Aikido


Aikido must educate or entertain?

We all enjoy having fun, there are no discussions about it. We all enjoy practicing Aikido in a friendly atmosphere, on this as well there isn’t much more to say. However, which is the true place of asobi in Aikido? Having fun is one of the best means to an end, but be careful: where is the threshold crossed which the means becomes the end?

Asobi - Japanese Noun (hiragana あそび)
playing, game, fun

“The purpose of Aikido is to train mind and body, and form honest and sincere people”
(Morihei Ueshiba)

by SIMONE CHIERCHINI

Fujimoto Sensei, in an interview to the magazine “Aikido” published by the Italian Aikikai in 1991, declared the following: “Doshu (Kisshomaru) said that Aikido is to be accessible for everyone”.  Fujimoto Sensei also added in that interview that this was the result of a natural process: “Doshu himself saids: I’m not the one who I wanted these changes, everything has changed”. The world has changed, needs, mentality, behavior have changed, therefore Aikidoas well: the way to practice it and teach it has changed”.
This change in the world outside of Aikido would have caused the change within it, with the consequence that the way to interpret the nature of Aikido would be changed. Hence the need to conduct Aikido lessons in a pleasant, fun atmosphere: this is what the Japanese call asobi, a positive feeling towards what one is doing that has much in common with the practice of any other sport, but also with the sensations provided by making music, or painting,  just as an example.
Teaching and practicing with the concept of asobi in mind is a far cry approach from the severity of the teaching system typical of traditional schools of martial arts in Japan but also in the rest of the world.
The asobi style of teaching fits perfectly to a new type of mankind whose need for entertainment should be somehow satisfied. Pressures derived from modern lifestyle, difficulties at work, family problems, lack of spare time, reducing of the average culture level are ill-adapted to a strict model of teaching and learning martial arts. Severe style teaching causes many students to walk away: it certainly does not fill the halls of students eager to improve. From here moves the necessity of gradually eliminating most of the connective tissue with the arts of Budo from which Aikido derivates and that constitute its essence.

Doshu in Sao Paulo, Brazil (2006)

It could be argued that the globalization process undertaken by the Aikikai Hombu Dojo, to whom we all owe the joy of being part of this movement and the opportunity of acquiring the knowledge that today we make us talk, already contained the germ of the denial of  Aikido’s basic principle as stated by the Founder: Aikido must be taught and practiced to become better human beings. According to the policy implemented from the Hombu Dojo to date, as human society changes, leaving less space and time for study and eagerness to improve, Aikido should also adapt and continue his run downward in search of a consensus that leaves us perplexed and quite indifferent.
This phenomenon is in common with the world of culture and arts in the broadest sense. It is enough to turn the TV on to become aware of the decline in the general culture level and when someone questions the leaders about it, the classic answer the get is that TV channels broadcast what people want. This is what happens when the concept of quality is replaced by that of quantity, when the values of knowledge, studying and reinterpretation of the tradition leave place to the arts of seeking consensus.
Returning to the concept of asobi in Aikido , nobody here wants to argue that Aikido lessons should be a massacre and the teacher a Nazi. Mine only intends to be an invitation to reflect on what we teachers propose and how we propose it to our class, because a potentially revolutionary message like the one contained in Aikido will never be applied through a few laughs and a couple of drops of sweat on the mat, while the transformation of Aikido in some another kind of sport exercise – functional with the plan of not changing people,and society’s unjust structures – needs exactly that.

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The 1990 Morihiro Saito’s Turin Speech


"Io non distinguo le persone in base all'organizzazione a cui appartengono"

Le parole pronunciate da Morihiro Saito Sensei in occasione del suo Koshukai di Torino del 1990 costituiscono un documento storico di valore inestimabile per la storia dell’Aikido. Abbiamo il piacere di riproporle in versione italiana e inglese, corredate dal video originale

There is a large stone in front of the Aiki Jinja, on which O-Sensei had these words carved: ”All human beings must live in friendship like a big family”. I follow these teachings as well.
I belong to the Aikikai, but I do not care: all men are equal, all equal. I do not distinguish people by the organization to which they belong. There is no difference.
Paolo (Corallini), came to Iwama many many times to study Iwama style. He also invited me to Italy seven times and every time I come to Europe, he is always with me. This time he even followed me in Scotland and Germany.
Thanks to his qualities, his technical level has grown up so much that I have decided to allow Paolo to conduct Buki Waza examinations  in Europe. So even if I am not here, I do not worry. Many of you teachers will receive the Shodan license to teach Buki Waza, this is not a problem, but only Paolo will conduct the examinations.
These are wonderful techniques from O’Sensei, therefore, please, study them well and preserve them.
I will do my best to lead a good seminar this time as well. I will put my best efforts for you to enjoy this event.
The techniques of Iwama constitute the original Aikido, please do not forget!
Frenchmen Nocquet is a student of Ueshiba Kisshomaru, but I am a direct student of O-Sensei. So, please, teach your students the real Aikido. In this way it will become much more fun, because Aikido is rational 100%, so everyone can do it and appreciate it.

Thank you.

Turin, Italy 1990

Morihiro Saito with Paolo Corallini

Davanti all’Aiki Jinja c’e’ una grande pietra su cui O’Sensei ha fatto incidere queste parole: “Tutti gli esseri umani devono vivere in amicizia come una grande famiglia”. Anche io seguo questi insegnamenti.
Io appartengo all’Aikikai, ma non mi importa: tutti gli uomini sono uguali, tutti uguali. Io non distinguo le persone in base all’organizzazione a cui appartengono. Non c’e’ nessuna differenza.
Paolo (Corallini) e’ venuto a Iwama tantissime volte a studiare Iwama style. Inoltre mi ha invitato in Italia sette volte ed ogni volta che vengo in Europa, lui e’ sempre con me. Questa volta mi ha seguito persino in Scozia e Germania.
Grazie alle sue qualita’, il suo livello tecnico e’ cresciuto a tal punto che ho deciso di autorizzare Paolo a condurre esami di Buki Waza in Europa. Quindi, anche se non vengo qui, non mi preoccupo. Molti di voi insegnanti riceveranno la licenza di Primo Dan per insegnare Buki Waza, questo non e’ un problema, ma solo Paolo condurra’ le sessioni di esami.
Queste sono le meravigliose tecniche di O’Sensei, quindi, per cortesia, studiatele bene e conservatele.
Faro’ del mio meglio per condurre anche questa volta un buon seminario. Mettero’ il mio massimo impegno per farvi godere questo evento.
Le tecniche di Iwama sono l’Aikido originale, per favore non dimenticatelo!
Il francese Nocquet e’ allievo di Kisshomaru Ueshiba, ma io sono un allievo diretto di O’Sensei. Pertanto, per favore, insegnate ai vostri allievi il vero Aikido. In questo modo diventera’ molto piu’ divertente: perche’ l’Aikido e’ razionale al 100%, quindi ognuno puo’ praticarlo e apprezzarlo.

Grazie.

Torino, Italia 1990

Copyright  Takemusu Aikido Association Italy ©1990-2011

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Interview With Hitohira Saito – Part 1


Hitohira Saito: Ken Suburi in Modena, Italy

Among the many questions that Hitohiro Saito Sensei politely replied to, you can read of the special connection between his father, Morihiro Saito Sensei, and the Founder of Aikido Morihei Ueshiba, at whose side he lived for 26 years; have an idea of the father/son, teacher/student relationship among Morihiro and Hitohiro; hear the version of Hitohiro sensei in relation to its break with the Aikikai Hombu Dojo… but also what it means the inheritance of the Founder of Aikido today and the prospects of Aikido in an increasingly disharmonious world 

by SIMONE CHIERCHINI

Versione Italiana

Italiano

Version Francaise

Francais

Versión en Español

Español

On the occasion of the Dento Iwama Ryu Aikido International Koshukai, held in Modena, Italy on 24-25-26 June 2011, Simone Chierchini had the opportunity to realize a video interview with Hitohiro Saito, Head Instructor of Iwama Shin-Shin Aiki Shuren-kai (岩 间 神 信 合 气 修练 会), the school founded by Hitohiro on the death of Morihiro Saito Sensei. The interview, held in the premises of Utensileria Modenese, generous sponsor of the Koshukai directed by Hitohiro Saito Sensei, took place in the presence of the European Senpai of Iwama Shin Shin Aiki Shuren-kai and was made possible thanks to the valuable work of Giancarlo Giovannelli, who acted as interpreter.

CHIERCHINI
The first question I would like to ask, Sensei, does not concern Aikido but rather the News: living in Japan today, what does it mean the tragedyof the Fukushima disaster for the average Japanese person?

SAITO
The earthquake and tsunami directly caused the Fukushima nuclear disaster. The world’s nuclear agency has revealed deficiencies in the management of the nuclear power plant, therefore there are also human responsibilities for what happened. However, let’s leave that aside. In the early days, the reading of data relating to the leakage of radioactive material from the plant were very high, but fortunately at this point the level of radiation in areas relatively distant from the central are gone down.
Currently, people who feel with the nuclear issue the most are the mothers who have young children, because the smaller is the child and more consequences of radiation exposure over time. Immediately after the accident we had the problem that the authorities did not provide correct information, there was a kind of censorship. This has caused a reaction and now I feel that what is communicated to us is the truth.

Finding a better balance with Nature

I live in the Ibaraki province, at about 150 km from the city of Fukushima and I think that we should not risk to be exposed to nuclear radiation: it’s a matter of time, of course. However the incident has made everyone more sensitive to the problem.

CHIERCHINI
In relation to the last problem, one could say that this is the tip of the iceberg: our world is gradually becoming further removed from its natural state and one could argue that it has become more and more disharmonious. In this context, how does it fit the practice of Aikido as a way of harmony? What responsibility lies with Aikido teachers in this kind of world?

SAITO
I don’t know if I can provide a correct answer.
Humans are an element of nature. There is a theory that if human beings disappeared from the planet, it would revert to its ideal state; this is paradoxical. In Aikido, however, the Founder thought that mankind had the role of governing nature in order to achieve an ideal condition.
The Founder used to speak of misogi, an activity of purification with which should training sessions in Aikido should start. When an inner conflict begins, from time to time we are faced with choices. If we possess decision-making skills, this is good, because each time we can make a conscious choice between good and evil.
I live in a rural area, away from the disaster area, however at the time of the nuclear accident I was still able to see the force of reaction of the nature. When practicing Aikido, if the students learn how to avoid negative, destructive attitudes towards others, that is their partners, certainly they will develop the same behavior in relation to nature, of which mankind is part.
O’Sensei preached non-violence. If one acts as I said, mankind could return to a more balanced condition of greater harmony between humans and nature.
The Way of the Warrior, Budo and agriculture, Nogyo, are complementary. The point of contact between the way of the warrior and agriculture is that both prepare for adversities and because of that it is also important to begin from the basics, the kihon. When we are forced to face nature’s caprices, we all must collaborate so that the problem at hand is solved or reduced.

CHIERCHINI
Next question brings us deeper in the world of Aikido and especially of Iwama Aikido: Sensei can you explain for our readers the role of Morihiro Saito Sensei in relation to the teaching of the Founder?

SAITO
When the second world war ended, my father became a student of O-Sensei’s dojo. There was only O-Sensei’s  practiced in the dojo. At the time, my father got a job with the state railways and used to work at night, returning home in the morning. According to the custom of the time, the ones who had worked at night were entitled to two days -with the night in between - off; therefore he could spend many hours with O-Sensei.

Morihiro Saito at a young age

The idea of O-Sensei when he came to Iwama was to practice both agriculture and Budo, so my father helped O’Sensei to work in the fields. The Founder was born in an era when those who taught martial arts were always with their students, who lived with their teacher. The teacher eventually tended to become attached to this type of student who worked the land and trained with him, because they were always together. This is the uchi-deshi system, where the internal student lives in the house of his sensei. My father experienced this situation.
Post-war Japan was a poor country, because all the resources were used during the war. Students who helped the Founder, also had their field to cultivate, because there was nothing to eat. Those who could not or would not help O’Sensei in his agricultural activities, gradually gave up and were not to be seen anymore. In the mentality of  a typical  Japanese of that period, the ones who could not or would not help the teacher in these other extra-dojo activities, did not feel that could be taught the techniques at all.
My father had the good fortune to continue to stand alongside his teacher; so at times, even as they cultivated the vegetable garden, O-Sensei would think of a new technique, put the hoe and say: “Saito! Go to the dojo to get the bokken!”.  Then, in the middle of the field, or wherever they were, they moved from farming to martial arts. In the evening came the other students of the dojo, known as soto-deshi (external students) and my father often had to go work for the railroad. During the day, however, for many years he was able to see and study with care the techniques of the Founder.
At that time the idea of paying in cash the teacher was unheard of; the student helped his teacher providing manpower. Since there was not much money and O-Sensei himself was not at all wealthy, to say the least, my father and the other students organised small money collections and donated what they could put together to the wife of the Founder, Hatsu, to pay for the electricity. Basically at the time O-Sensei did not earn anything, had no fixed income, just because there was not the idea of a fixed monthly fee to be paid to the teacher. Apart from the labor force received by the students, the only cash income for him came from the granting of Dan grades: once the ceremony was over, the student who had received the Dan put his offer on the kamiza. Also, when O-Sensei visited other dojos to give what nowadays we would call seminars, he received “thanks” in the cash. Some time soon after the war ended, some of the students used to bring sacks of rice to thank O-Sensei for his teaching efforts.
My father has always been close to O-Sensei and in many occasions he has declared that his role was to transmit all that he had lived in contact with the Founder. I repeat, this is what he always told me.

CHIERCHINI
What are your memories of the Founder, Sensei? Especially your memories of Morihei Ueshiba from a human point of view.

SAITO
My father was gifted the land on which to build his house from the Founder, then he got married and after we, brothers, were born. I remember that my mother was always  in the Ueshiba family home to help them. Therefore we newborn children lived in the house of O’Sensei, because our mother was always there.
I have not seen O’Sensei the first time when I started doing keiko, I saw him as soon as I was born! And I’ve also heard O’Sensei’s kiai when I was still a fetus in the womb of my mother… I do not think to the Founder like an outsider,  for me he is some kind of a grandfather.

Family photo: Morihei and Hatsu Ueshiba

He was a man who had something special: if the aspects of daily life that concerned him were common, he was a awesome person. My parents always addressed him using referential language and I felt the distance, the stature of this person.
His posture was always correct, I have never seen him break it: even when he drank, he took the cup with both hands, thanking the gods, then placed it down once more with both hands, formally, according to the traditional system. We saw that this person was so revered by our parents, therefore in his presence we were always polite, because it was natural that we respected him: he had an important aura around him.
I had a beautiful image of O-Sensei and his wife, I never perceived them as two elderly people similar to the other village elders. Both were very devoted. Mrs. Ueshiba, having been born in the Meiji period, a historical period of transition, was a person who paid great attention to food and knew how to manage the economy of the house.

End of Part 1 (To be continued)

Italian to English Translation by Simone Chierchini

Watch Slideshow from H. Saito International Koshukai in Modena (italy), June 2011

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Mitsuteru Ueshiba Waka Sensei begins teaching at Hombu Dojo


As of April 1, 2011 the Hombu Dojo training schedule  will see an important change: in fact, from the beginning of April the Hombu Dojo Teaching Panel will also include Mitsuteru Ueshiba, who from April 8th will take his father’s place of the father as responsible of the 18:30 to 19:30 lesson.
Mitsuteru Ueshiba, 31, is the son of the third Doshu and current Aikikai leader, Moriteru Ueshiba. Following the traditional system of succession adopted in martial arts, it is expected that Mitsuteru Ueshiba succeeded his father Moriteru as Doshu, becoming the fourth Aikido Guide after Morihei, Kisshomaru and Moriteru Ueshiba.
Mitsuteru Ueshiba is the grandson of Morihei Ueshiba, the founder of Aikido. In recent years, the hierarchies of Hombu Dojo began to give him his first responsibilities, so we have seen him in action in Russia, New Zealand and Hawaii, as well as an assistant to his father on several occasions. In addition, since April 2010 has been Dojo-Cho of the Aikikai dojo of Iwama in the Ibaraki prefecture, the old dojo of O’Sensei’s that came back to the Ueshiba family after the death of Morihiro Saito Sensei.
Mitsuteru Waka Sensei is commonly called Waka Sensei, to distinguish him from his father, an honorific term that means Young Master that was also applied to Moriteru Ueshiba in relation to his father Ueshiba Kisshomaru when he was still alive.
While maybe only a small beginning, from April 2011 begins a new era in Aikido. We wish Waka Sensei Ueshiba Mitsuteru good luck and every success.


http://www.aikikai.or.jp/eng/index.htm

Giorgio Veneri: My Point of View on Traditional Aikido


Veneri Sensei

Giorgio Veneri in Enniskillen, Irlanda del Nord (1997)

The following is a transcript of an interview by Simone Chierchini, with one of the greatest European Aikido teachers of all time, Giorgio Veneri, taped after his seminar in Enniskillen, Northern Ireland in 1998. In this interview Veneri Sensei airs his disdain towards those who claim to be the true keepers of the Founder’s Aikido, claiming instead that Aikido is a living body, and therefore changeable, as Doshu Kisshomaru Ueshiba theorised

by SIMONE CHIERCHINI

CHIERCHINI
Two words, Traditional Aikido. Words that have been misused and abused by both the ignorant and the initiated. What is your point of view?

VENERI
If you use the word traditional, you want to stimulate reverence to a way of thinking in which the past is always better than the present. In regards to Aikido, I don’t really know what traditional Aikido means. I could repeat the words of Doshu Kisshomaru Ueshiba, ‘Aikido is a living organism and for this reason it transforms and improves’. O’Sensei’s direct pupils are few and all have their own interpretation of his teachings, but none of them can claim to practice the ‘true’ Aikido, since it would be impossible to copy another man’s feats. If I would have to choose someone to follow, it would be the Doshu, since he’s a direct descendant O’Sensei, but even his Aikido is different from that of his father. What I’m about to say now might create a bit of a scandal, but if you look at tapes recorded in the 1930’s and compare what you see to present day Aikido, you can easily see the changes brought over the years. I have to say it improved for the better.

CHIERCHINI
It seems to me to be difficult to use the term traditional when nothing is ‘fixed’. There are no katas (fixed forms) and O’Sensei himself refused to see his techniques as finished, constantly improving on himself. And I think it was O’Sensei’s idea that Aikido would have to continue on being developed, to keep it ‘modern’ and prevent it from going ‘stale’ or ‘rigid’.

VENERI
Most ‘Teachers’ didn’t put their teachings in writing, this was mainly done by the disciples, for later scrutiny or to exact reverence. For example, Jesus Christ didn’t put anything down in writing, what we know about him and his teachings is from the New Testament and has been written years after his death. These writings have afterward been interpreted and edited by various religions, distorting his words and teachings to the level that it is hard to know what Jesus was really like. If the art of Aikido is to stay vital it has to change. I have the impression that the Aikido techniques practiced today are more sophisticated, elegant and graceful. I do not use the word ‘effective’ since to me that is of little importance, but it is more effective then when I started my practice.

Giorgio Veneri

"The main developer of Aikido has been Doshu Kisshomaru Ueshiba"

CHIERCHINI
To recapitulate, we could say that the Aikido we practice now is rooted in O’Sensei’s teachings, but has evolved over three generations of hard working Aikido practitioners.

VENERI
That’s true. There has been three generations of aikidoka, the first being the students of the pre-war era, most of whom are gone now. The second generation is the post war one. Most of these teachers are sixty to seventy years old. About the third generation we have to make a distinction between the Japanese, who are in their late forties, and the foreign sensei, like myself, who are in their late sixties. This generation will be crucial for Aikido in the coming years.

CHIERCHINI
We could say to those who talk about traditional Aikido that they are making a fundamental mistake in believing Aikido to be finished. The ideas of harmony and peace were actually developed quite late by O’Sensei and have been polished by Doshu Kisshomaru Ueshiba.

VENERI
Actually, the main developer of Aikido has been Doshu Kisshomaru Ueshiba, like the originator of Christianity wasn’t Jesus, but Saint Paul. Doshu Kisshomaru Ueshiba has been the organiser, the one who canonised the forms and gave Aikido meaning and direction.

CHIERCHINI
We should also remember that Doshu Kisshomaru was responsible for spreading Aikido around the world. We probably wouldn’t be here talking about Aikido if it wasn’t for him.

VENERI
To truly understand O’Sensei’s teachings, we would’ve had to move to Japan, which wouldn’t have served us very well, because in his days most dojo were very strict on the admittance of Japanese students. For foreign students to enter any martial art dojo was close to impossible.

CHIERCHINI
When I hear people talk about Aikido, they always refer to O’Sensei as being principal in its development, with the Doshu as a secondary mover, an obscure figure. Some of them even bad mouth him as being not of the stature of his father. How do you relate to this?

VENERI
O’Sensei created Aikido, and as the originator he left us an idea. He didn’t explain much and, while he left writings on the spiritual part, he didn’t put down much about the Aikido techniques. Doshu Kisshomaru Ueshiba task was to expound on this idea. To do so, his life was devoted to the work of his father, rendering him unable to step out of the shade of that giant. He also was the recipient of criticisms on Aikido people wouldn’t have dared utter to his father. Coming back to tradition, in about ten years there won’t be any direct pupils of O’Sensei left in the world. I’m talking about his real pupils, not the ones who followed three or four lessons. When they all are gone, anybody will be able to pretend to instruct ‘traditional’ Aikido, since there would be no one left to put a disclaimer on such an outrageous claim.

GIORGIO VENERI
Born in 1937 in Mantova (Italy), Giorgio Veneri began his career in Martial Arts studying Judo and earned his Shodan by Koike Sensei. In ‘63 he got a degree Mathematics. The following year he met Mr. Kawamukai, Aikido 3rd Dan Instructor and decided to join Aikido practice. In ‘65 he met Hiroshi Tada Sensei and fell in love with his vision of Aikido. Veneri became one of the first students of Tada Sensei in Italy and shared with his Master the pioneer era of Italian Aikido. In ‘67 Veneri organised first Tada Sensei’s European Course, and he has continued doing so until ‘95. Nidan in ‘70, Sandan in ‘74, Yondan in ‘79 and Godan in ‘86, Giorgio Veneri was appointed Rokudan in ‘94 by Aikido Doshu Kisshomaru Ueshiba, first Italian ever. He has been founding member of Italian Aikikai (1965), the European Aikido Federation (1976), and the International Aikido Federation (1977). Former Chairman of EAF (79-84), he has also been Chairman of IAF (84-94). He is member of the IAF’s Superior Council as well; this Council has the task to maintain Aikido in the true spiritual way taught by Morihei Ueshiba. In ‘84 he was appointed by EAF to spread Aikido in Eastern Europe and he committed himself to teaching in Hungary, Romania, Bulgaria, Poland, Czechoslovakia, Turkey, USSR (now Russia, Belarus, Ukraine, etc), South Africa, Ireland and Jordan. He passed away in March 2005.

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